Chanito

애인 - 송창식Lover - Changshik Song 어제 나는 슬펐네Yesterday I was blue.그 여자는 떠났네 The woman had gone away.떠난다는 말없이 Without a word of farewell-사라져가 버렸네 She had vanished away.눈이 몹시 커다란 With eyes so very large-이름 모를 아가씨 That nameless young lady-난 사랑했었네 I truly loved her so.첫눈에 반해 버렸네 I fell for her at first glance.어젠 비가 내렸네 Yesterday it rained.하루종일 내렸네All day it rained.쏟아지는 빗속에 Amidst that pouring rain-사라져가 버렸네 She had vanished away.눈이 몹시 커다란 With eyes so very large-이름 모를 아가씨 That nameless young lady-난 사랑했었네 I truly loved her so.첫눈에 반해 버렸네 I fell for her at first glance.어젠 비가 내렸네 Yesterday it rained.하루종일 내렸네All day it rained.쏟아지는 빗속에 Amidst that pouring rain-사라져가 버렸네 She had vanished away.Changshik Song’s “Lover” (1974) is a simple yet moving song about love and loss. With only guitar and his clear, sorrowful voice, he turns the image of a woman disappearing in the rain into a lasting symbol of longing.

우리는 - 송창식We are - Changshik Song우리는 We are빛이없는 어둠 속에서도 찾을수 있는What can be found even in a lightless darkness. 우리는 We are아주작은 몸짓 하나라도 느낄수 있는 What can be felt in the slightest movement.우리는 ~We are ~우리는 We are소리없는 침묵으로도 말할수 있는 What can be spoken even through soundless silence. 우리는 We are마주치는 눈빛 하나로 모두 알수 있는 What can be understood by a single meeting of the eyes.우리는 - 우리는 연인 ~We are - We are lovers ~기나긴하 세월을 기다리어 우리는 만났다 Waiting for so long a day and age, we have met.천둥치는 운명처럼 우리는 만났다 Like a thundering strike of fate we have met.바로 이순간 우리는 하나다 In this very moment, we are one.이렇게 이렇게 이렇게 - 우리는 연인 ~Like this, like this, like this - we are lovers ~우리는 We are바람부는 벌판에서도 외롭지 않은 The togetherness even on a windy veldt. 우리는 We are마주잡은 손끝하나로 너무 충분한 The ampleness of just a touch of a hand.우리는 ~We are ~우리는 We are기나긴 겨울밤에도 춥지 않은 The mildness of even an endless winter’s night.우리는 We are타오르는 가슴 하나로 너무 충분한 The want for nothing but a burning heart.우리는 - 우리는 연인 ~We are - We are lovers ~수없이 많은 날들을 우리는 함께 지냈다 Countless days we have lived together.생명처럼 소중한 빛을 함께 지녔다We carried together a light as precious as life.바로 이순간 우리는 하나다 In this very moment, we are one.이렇게 이렇게 이렇게 - 우리는 연인 ~Like this, like this, like this - we are lovers ~이렇게 이렇게 이렇게 ~Like this, like this, like this ~Song Chang Shik’s “We Are” is special for its poetic lyrics, philosophical view of love, and innovative 1970s folk-inspired style that diverged from formulaic trends which dominated the previous decade. Emphasizing unity and intimacy through silence, gestures, and shared presence, its repeated refrain of “We are” conveys a timeless sense of togetherness. Combined with Song’s expressive vocals, the song remains both a moving love ballad and a landmark in Korean music history.

꿈길 - 은희Dream Path – Eunhee그리워, 그리워, 너무나 그리워서Longing, longing, in longing for you so much-꿈길에나 만날까 잠들어 봅니다Wondering if we might cross paths in a dream,I try drifting to sleep. 고운 눈매 웃음진 그 님은 찾아와서Smiling with soft eyes,You come and find me-외로움에 지친 나를 어루만져 줍니다And caress this self, wearied by solitude. 반가워, 반가워, 너무나 반가워Glad, glad, so glad am I to see you- 맺힌 사연 말 못하고 몸부림치며~That I writhe in silence of stories long unspoken..꿈에서 깨일까봐Fearing that I might wake,그 님이 가실까봐Or that you might leave-옷소매 부여 잡고Tightly clutching your sleeve,눈물만 흘립니다I shed only tears.반가워, 반가워, 너무나 반가워Glad, glad, so glad am I to see you- 맺힌 사연 말 못하고 몸부림치며~That I writhe in silence of stories long unspoken..꿈에서 깨일까봐Fearing that I might wake,그 님이 가실까봐Or that you might leave-옷소매 부여 잡고Tightly clutching your sleeve,눈물만 흘립니다I shed only tears.This song depicts a dreamer, bitterly holding onto a loved one within a dream. There is painful silence because the dreamer is unprepared to voice their feelings and accept closure. The chorus also repeats a second time - as though in a loop.It is often in breaking the silemce with someone in our dreams that we find catharsis, but in so doing we would never dream of them again. This song tries to capture that pain of being unable to let go in having to part ways with someone for a second, final time.

노을 - 오영민Sunset - Oh Yeong Min노을이 물드는 바닷가에서By the shore where sunset stains the sea.줄지어 부서지는 파도를 보며Watching the waves break in rows-지난 날의 못다한 수많은 꿈을남 모르게 달래보는 호젓한 마음A secret heart’s unbeknown soothing-Of many a bygone dream unfulfilled.짧은 여름밤의 꿈A fleeting summer night's dream-설레이던 그날이 눈에 어린다That heart-stirring day lingers in my eyes.지난 날의 못다한 수많은 꿈을남 모르게 달래보는 호젓한 마음A secret heart’s unbeknown soothing-Of many a bygone dream unfulfilled.짧은 여름밤의 꿈A fleeting summer night's dream-설레이는 그날이 눈에 어린다That heart-stirring day lingers in my eyes.노을이 물드는 바닷가에서By the shore where sunset stains the sea.

안개- 트윈 폴리오나 홀로 걸어가는 안개만이 자욱한 이 거리그 언젠가 다정했던 그대의 그림자 하나생각하면 무엇 하나 지나간 추억바람이여 안개를 걷어가다오아~아~그 사람은 어디에 갔을까안개 속에외로히하염없이 나는 간다돌아서면 가로막는 낮은 목소리바람이여 안개를 걷어가 다오아~아~그 사람은 어디에 갔을까안개 속에눈을 떠라눈물을 감추어라Fog - Twin FolioThis all but foggy road that I tread alone. A shadow of you once warm and caring.In reminisce, each and all a bygone memory.O wind, I bid you, blow the fog away!Ah~ Ah~Where has the person gone?In the fog,Lonelily- Onwards I go without end.That low voice which blocks me when I turn around-O wind, I bid you, blow the fog away!Ah~ Ah~Where has the person gone?In the fog,Open your eyes,And conceal your tears.

14. 펭귄 연인 - 정끝별팔이 없어 껴안을 수 없어다리가 짧아 도망갈 수도 없어배도 입술도 너무 불러너에게 깃들 수도 없어앉지도 눕지도 못한 채엉거주춤 껴안고 서 있는여름 펭귄 한 쌍밀어내며 끌어안은 채오랜 세월 그렇게서로를 녹이며서로가 녹아내리며Penguin Lovers - Jeong Geut-byeolHaving no arms, we may not embrace. Having short legs, we can’t even flee. For belly and lip are too swollen,I cannot even huddle onto you. Unable to sit nor lie down,Standing in an awkward embrace-A pair of summer penguins. Holding close while pushing away-Having so for a long day and age.We melt one another.We are melting over. Painting by John William Godward“Yes or No?” 1893

13. 어머니의 신발 - 전태련연세 드신 분들이 신는가볍고 따뜻한 신발이 진열장에 놓여 있다사람들은 저것을 효도신발이라 하던가.내가 사 드린 유일한 신발어머니는 하루도 못 신고 벗어 던지셨다 한다.그날, 그 신발가게엔 어머니가 원하는 게 보이지 않았고, 기껏 사 드린 신발은 무겁고 발이 아프셨다 한다.차일피일 마루는 사이 어머니는 홀연히 삼베신발 한 켤레 지어 신고 이승의 강을 건너 가셨다.생각만 가득한 무성의함 그것이 불효인 것을 어머니는 다시 만나는 날 그 신발 한 켤레 꼭 가슴에 품고 가리라, 다짐한들 그게 무슨 소용이 닿으랴?어머니께 나는 당신이 한평생 신고 가야 하는 무겁고 발이 아픈 신발이었다-저 멀리 벗어 던지지도 못하는.Mother’s Shoes - Taeryeon JeonThose light and warm shoes worn by the elderly lie on the display shelf. Oft did people call them shoes of filial piety. The only shoes I bought for mother - She could not wear them for even a day and is said to have thrown them away. That day, the shoes mother wanted were not to be seen in that shoestore, and those shoes I had bought at last were heavy and pained her feet. Whilst I delayed day after day, out of the blue did mother wear shoes strewn of hemp and crossed the river of the afterlife. A filial lapse is that insincerity of thoughtful passivity - would that I carry that pair of shoes close to heart the day I am reunited with my mother, what use would it be to vow so?Mother, to you I was but a heavy and painful shoe you had to wear for a lifetime-One you could not take off and cast away. Painting by Berthe Morisot“Playing in the Sand” 1882“Child in Bed” 1884(The painter's daughter, Julie Manet, as a child.)

12. 풀꽃 - 김춘수자세히 보아야 예쁘다.오래 보아야 사랑스럽다. 너도 그렇다.Wildflower - Choonsoo KimOne must look closely to find it beautiful.One must look for a long while to find it lovely.So it is also to look at you. Painting by Berthe Morisot“The Red Blouse” 1885

11. 행복 - 유치환사랑하는 것은사랑을 받느니 보다 행복하나니라오늘도 나는에머랄드빛 하늘이 환히 내다뵈는우체국 창문 앞에 와서 너에게 편지를 쓴다.행길을 향한 문으로 숱한 사람들이제각기 한 가지씩 생각에 족한 얼굴로 와선총총히 우표를 사고 전보지를 받고먼 고향으로 또는 그리운 사람께로슬프고 즐겁고 다정한 사연들을 보내나니.세상의 고달픈 바람결에 시달리고 나부끼어더욱더 의지삼고 피어 헝클어진인정의 꽃밭에서너와 나의 애틋한 연분도한망울 연연한 진홍빛 양귀비 꽃인지도 모른다.사랑하는 것은사랑을 받느니 보다 행복하나니라.오늘도 나는 너에게 편지를 쓰나니그리운 이여 그러면 안녕 !설령 이것이 이세상 마지막 인사가 될지라도사랑하였으므로 나는 진정 행복하였네라Happiness - Cheehwan YooTo love -Is a greater joy than to be loved. Even today,I find myself writing to you before the post office window through which the emerald sky shines. People crowd the streetward gate with their faces filled with each of their thoughts, hastily purchasing stamps and telegram sheets, sending those missed from afar stories sad, gleeful and tender.Enduring and fluttering the weary winds of life, in the ever willing and blooming flowerbed of compassion, this poignant bond between you and I might be just a lingering crimson poppy flower. To love -Is a greater joy than to be loved. Still today, I find myself writing to you.O my beloved, adieu! Even if this should be my last greeting in this world, for having loved so, my happiness was true.Painting by Eugene de Blaas“Girl in a Lilac-Coloured Dress with a Bouquet of Flower” 1911

10. 행복 - 나태주저녁 때돌아갈 집이 있다는 것힘들 때마음속으로 생각할 사람 있다는 것외로울 때혼자서 부를 노래 있다는 것.Happiness - Na Tae JooThat at night, There exists a home to return to.That in hardship, There is someone close at heart.That in solitude, There is a song to sing alone. Painting by Sir Lawrence Alma-Tadema“The Golden Hour” 1908

Such was the scale of the Achaemenid dynasty’s empire that they seasonally migrated between regional capitals to properly tend to its key frontiers. In spring, the royal entourage was welcomed by the blooming gardens of Babylon, the greatest urban center of the empire. In summer, they traveled through the Zagros Mountains to rest in the Median court of Ecbatana. In winter, they resided in the city of Susa, the primary residence of the royal family where much of their Persian kin lived. Yet there was a fourth capital, regarded with greater reverence and esteem than the rest.Bearing their namesake, “Persepolis” was perhaps the greatest expression of Achaemenid ethos ever built. Though the city itself was not particularly large or populous, it held a prestigious role as the center of royal ceremony and diplomatic reception, conducted in its central palace called the “Apadana,” or “Audience Hall,” built by Darius I. From his reign onward it was customary for Achaemenid monarchs to pay homage to the tomb of Cyrus in Pasargadae on their way to celebrate Nowruz (the Persian New Year) in Persepolis, often expanding and embellishing the complex with additional chambers in their own names.Though now in ruins, one can still ascend the iconic stairways of the Apadana and gaze upon its well-preserved stone reliefs. From members of the royal retinue in ceremonial attire to envoys and merchants from distant tributaries bearing precious garments and exotic animals, dozens of unique figures are in eternal procession, awaiting their audience with the emperor. One can only imagine what other festivities and peoples may once have filled the scene in times bygone.“The palace was roofed with gilded cedar and cypress of the finest quality, and adorned with gold and silver decorations. The halls had columns of marble, variegated and gleaming, their foundations adorned with gold, and walls covered in bright colors and splendid paintings.”- Diodorus Siculus, "Library of History"

9. 백치 슬픔 - 신달자사랑하면서슬픔을 배웠다.사랑하는 그 순간부터사랑보다 더 크게내 안에 자리잡은슬픔을 배웠다.사랑은늘 모자라는 식량사랑은늘 타는 목마름슬픔은 구름처럼 몰려와드디어 온몸을 적시는아픈 비로 적시나니사랑은 남고슬픔은 떠나라사랑해도사랑하지 않아도떠나지 않는 슬픔아이 백치 슬픔아잠들지도 않고꿈의 끝까지 따라와외로운 잠을 울먹이게 하는이 한 덩이백치 슬픔아나는 너와 이별하고 싶다.Fool's Sorrow - Shin DaljaI learned of sorrow as I loved.From the moment I lovedI learned of a sorrow greater than the love that settled within me.Love is an ever meager ration.Love is an ever burning thirst.Sorrow rushes over like clouds and finally drench me whole with painful rain.May love remain and sorrow depart.O, that which refuses to leave whether I love or love not, sorrow.You fool’s sorrow.O, that which foregoes sleep and stalks me to the end of my dreams to then have me weep in lonesome slumber.You lump of a fool’s sorrow.I long to part ways with you.Painting by Eugene Delacroix"Frederic Chopin and George Sand" 1838

8. 연인 - 최영미나의 고독이너의 고독과 만나나의 슬픔이너의 오래된 쓸쓸함과 눈이 맞아나의 자유와너의 자유가 손을 잡고나의 저녁이 너의 저녁과 합해서너의 욕망이 나의 밤을 뒤흔들고뜨거움이 차가움을 밀어내고나란히 누운, 우리는같이 있으면 잠을 못 자.곁에 없으면 잠이 안 와.Lovers - Choi YeongmeeMy solitudeComes across your solitude My sorrowsGrow besotted with your old lonelinessMy libertyTakes the hand of your liberty My evening joins your eveningYour desire quakes my nightWarmth pushes the cold awayUs, lying side by sideWe are sleepless together.We are sleepless apart. Painting by Eugene de Blaas"A Young Beauty" 1882

7. 조그만 행복 - 이재무쑥국이 올라온 저녁밥상국물 한 방울도 아껴 먹는다밥 두 숟갈에 국물 한 숟갈식도를 타고짜르르르 내리는 더운 맛소름 돋는다감기에 막힌 코가 뚫리고낮에 다퉜던 친구에게 전화를 건다A Small Joy - Lee JaemooA mugwort stew on the table for supper.I savor even a drop’s worth of it.A spoonful of stew for two spoonfuls of rice.Down the throat goes-A hearty flavor of the warmer sort.I feel goosebumps.My fever-clogged nose clearsAnd dial the friend I fought earlier in the day.Painting by Henry Martin "Fountain in Marquayrol" 1885

6. 너를 두고 - 나태주 세상에 와서내가 하는 말 가운데서가장 고운 말을너에게 들려주고 싶다 세상에 와서내가 가진 생각 가운데서가장 예쁜 생각을너에게 주고 싶다 세상에 와서내가 할 수 있는 표정 가운데가장 좋은 표정을너에게 보이고 싶다 이것이 내가 너를사랑하는 진정한 이유나 스스로 네 앞에서 가장좋은 사람이 되고 싶은 소망이다.Over you - Na Tae JooOf all the things I speak ofComing to the world,I wish to recite to youMy finest words.Of all the thoughts I haveComing to the world,I wish to offer youMy most elegant thoughts.Of all the expressions I can makeComing into the world,I wish to show to you,My fairest expression.This is truly why I love you.It is my aspiration to become my very best before you. Painting by Sir Lawrence Alma-Tadema"Ask Me No More" 1906

5. 슬픔 - 김완성오는 마음은 막을 수 있어도가는 마음은 잡을 수 없다까마득한 날에떠난 마음떠난 마음은 모른다남겨진 마음을저녁별 마중하는 석탑어깨가 춥다Sadness - Kim WansungOne may resist the coming heart, But one cannot keep the parting heart. A departed heart-On a pitch black day.The heart withdrawn knows not-The heart left behind.The monolith stands greeting the vesper.Cold are my shoulders.Painting by Berthe MerisotYoung Girl with a Bird1891

4. 고은 1971 가을편지가을엔 편지를 하겠어요누구라도 그대가 되어 받아주세요낙엽이 쌓이는 날외로운 여자가 아름다워요가을엔 편지를 하겠어요누구라도 그대가 되어 받아주세요낙엽이 흩어진 날모르는 여자가 아름다워요가을엔 편지를 하겠어요모든 것을 헤매인 마음 보내드려요낙엽이 사라진 날헤매인 여자가 아름다워요아름다워요.Goeun 1971 Autumn LetterI will write to you this autumnMay anyone be my dearest recipient.Beautiful is the lonely woman-On a day of crowding leaves.I will write to you this autumnMay anyone be my dearest recipient.Beautiful is the unknown woman-On a day of scattered leaves.I will write to you this autumnI offer you a heart bereft of everything.Beautiful is the woman bereft,On a day of absent leaves.She is beautiful.Painting by Eugene de Blaas"The Love Letter" 1902

슬픔에게 무릎을 꿇다 - 이재무어항 속 물을물로 씻어내듯이슬픔을 슬픔으로문질러 닦는다슬픔은 생활의 아버지무릎을 꿇고두 손 모아 고개 조아려지혜를 경청한다To Kneel Before Sorrow - Lee JaemooAs the water of a vaseIs cleansed also with water.Sorrow is wiped clean with sorrow.Sorrow is the father of livelihood.I join my hands and lay myself prostate in reverance of wisdom.Painting by Edouard Monet"The Monk at Prayer" 1865

물결 앞에서 - 이시영울지 마라오늘은 오늘의 물결이 다가와 출렁인다갈매기떼 사납게 난다그리고 지금 지상의 한 곳에선누군가의 발짝 소리 급하게 울린다울지 마라내일은 내일의 물결 더 거셀 것이다갈매기떼 더욱 미칠 것이다그리고 끓어 넘치면서세계는 조금씩 새로워질 것이다Before the Tides - Lee SheeyeongDo not weep.Today the tides of the day comes and swirls.There flies fiercely a flock of seagulls .And now some place upon the earth-There hastily rings the footsteps of a stranger.Do not weep.Tomorrow the morrow’s tides shall be even fiercer. Ever restless shall the seagulls grow.And as it heats and overflows,Steadily shall the world grow anew.Painting by Gustave Courbet"Low Tide" 1865

겨울비 - 오보영 2013꼭 비가 아니여도 좋습니다.꼭 눈이 아니여도 좋습니다.당신 곁으로 다가갈 수만 있다면.비 내리길 기다리는 당신에게는비가 되어 당신 가슴 적시우리다.눈이 오길 기다리는 당신에게는눈이 되어 당신 맘에 뿌려주리다.Winter Rain – Boyeong Oh 2013It need not be rain to please me.It need not be snow to please me. If it only meant that I could be closer to you.For you who lies in waiting for the rain, Rain I shall be that pours onto your heart. For you who lies in waiting for the snow, Snow I shall be that falls upon your heart.Painting by Claude Monet "Cart on the Snow Covered Road with Saint-Simeon Farm" 1865